©St.Hilaire Nelson, sketch on cradled birch panel, 36x24
©St.Hilaire Nelson, sketch with beginning under-painting on cradled birch panel
All of my pieces start with a pencil sketch on a clear primed birch wood panel. I prime clear in order to give myself the freedom to leave some of the grain and striation of the wood showing through, should I so desire. This is a decision I a make somewhere along the way, and it's not pre-planned.
I block in the local color and define my values with the underpainting. I am playing with the background paint application as I intend to leave the green above her head painted. This decision I THINK is made, but we shall see what happens when I get into the glue.
©St.Hilaire Nelson, under-painting on cradled birch panel
The "she fowl" is in my studio drying, I'll add collage application later in the day today or this evening. Most of the time I work at night and on the weekends as graphic design is my day job. Every now and then you do see daylight behind my easel in a photo though. I snuck out there this morning at 5:30 and this afternoon around 1:00pm. Nothing like a deadline to motivate!

















